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ERNESTO PUJOL
Walk #1

August 25 – October 23, 2008

Gallery Reception: Friday, October 3, 5-8:30p,
with lecture from 7:00–8:30p

The setting for Ernesto Pujol’s installation Walk #1 is Magnolia Cemetery in Charleston, South Carolina. He began the project just as the war in Iraq was escalating, and as he walked through the cemetery, which is filled with the graves of soldiers killed in the Civil War, the project took on a new layer of meaning.

After finishing college in 1980 Pujol spent four years as a cloistered monk. This experience has informed his art, and several of his previous projects have explored the intersection of spiritual beliefs and secular practice. Because he views certain religious vestments as costumes that cover the human body with dignity, his selection of a clerical robe brings a deeply felt decorum of piety to the project. Wearing the full-length robe, Pujol photographed himself walking through the cemetery as he assumed the role of spiritual guide through the vestiges of the dead.

Pujol extends the narrative thrust of the project by placing twelve framed, hand-blown glass plates throughout the installation, each containing a single word, such as war, peace, heroes, arms, and truth. He selected the words from Civil War monuments and the writings of Walt Whitman, an American author known as a proponent of contemplative and restorative walks.

Pujol considers Walk #1 to be like the preserved fragments of a long poem. Those fragments embrace many traditions and borrow from many different art forms and social movements. Using the medium of photography, Pujol has brought these traditions and ideas together in a performance of contemplation. The work bears witness to sorrow and loss through images that have a graceful utility beyond their power to record.

Jeffrey Hoone
Executive Director
Light Work


Pujol was born in Cuba and grew up in San Juan, Puerto Rico. He received his BA in humanities and painting from the Universidad de Puerto Rico, and his MFA in interdisciplinary art practice from The School of the Art Institute of Chicago. His work has been exhibited internationally, and he has received numerous awards and fellowships. In addition, Pujol's work is included in various permanent collections, including at the McNay Art Museum in San Antonio, TX; the Herbert F. Johnson Museum at Cornell University; Casa de las Americas in Havana, Cuba; the Museum of Contemporary Art in Los Angeles; among many others. He participated in Light Work's Artist-in-Residence program in 1999, and curated the exhibition desire: Contemporary Photography from the Visual AIDS in the same year.

Major exhibitions at Light Work are published in the award winning publication, Contact Sheet, available by subscription or individual order. Other information on Ernesto Pujol can be found in the Light Work Online Collection. More of his photographs can be viewed at his website www.ernestopujol.org. Exhibition press release


Gallery hours for these exhibitions are Sunday to Friday, 10am-6pm, and by appointment. To schedule an appointment, please call 315-443-1300. Both the exhibition and reception are free and open to the public. Light Work invites groups and individuals to schedule tours and gallery talks of the exhibition and facility. Tour details

 

   



ernesto pujol

ernesto pujol

(above) Entrance, 2004-2006

(below) Rest, 2004-2006

 

 

Visible Memories

Pujol's presentation is the keynote lecture of the Visible Memories Conference at Syracuse University that will take place Oct. 2-4. The conference will explore the intersections between visual culture and memory studies with particular focus on the ways in which memories are manifested and experienced in visible, material, or spatial form. It will feature a screening by David Thorne, and plenary panels with noted scholars and artists including Patricia Zimmermann, George Legrady, Gregory Sholette, Phaedra Pezzullo, Cara Finnegan, and Andrea Hammer. While a registration fee of $40 applies to attend the conference, the keynote lecture is free and open to the public.

The Visible Memories Conference is presented by the Visual Arts and Cultures Cluster of The Central New York Humanities Corridor, made possible by a grant from The Andrew W. Mellon Foundation. The Corridor is a large-scale partnership with Syracuse University, Cornell University, and the University of Rochester that connects scholarship in five other cluster areas: philosophy, linguistics, religions and cultures, musicology/music history, and humanities at the interface of science/technology.

 


Light Work is a nonprofit, artist-run organization dedicated to the support of artists working in photography and electronic media. Light Work is a member of the Coalition of Museum and Art Centers at Syracuse University (CMAC).

 

 
   


RITA HAMMOND
Images of a Girl, Images of a Woman

August 25 - October 23, 2008

Hallway Gallery, Light Work

Pastiche, Performance, and Portraiture (and the imponderable hazards of publishing photographs):
Lecture and panel discussion by Gina Murtagh, Kim Waale, and Julie Grossman
Monday, September 8, 6:00p

   

As It Happens: Recent Artists-in-Residence at Light Work, featuring photographs by Barry Anderson, Stephen Chalmers, Lucas Foglia, Sonya A. Lawyer, Kerry Skarbakka, Marla Sweeney, and Lisa M. Robinson

April 7 - December 31, 2008

Robert B. Menschel Photography Gallery,
Schine Student Center at Syracuse University

   
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