LIGHT WORK | Exhibitions : Embracing Eatonville

While there are aspects of Embracing Eatonville that link it to the tradition of photographic surveys, the artists have worked to look at Eatonville as a starting point and springboard to extend Hurston's vision for the celebration, accomplishment, and preservation of African American art and culture. We honor many things with this project: the enigmatic and creative character of Zora Neale Hurston, the importance of history celebrated by the successful efforts of the Association to Preserve the Eatonville Community, and the muse that Zora Neale Hurston is for artists more than forty years after her death, where her sense of the importance of place became a destination, a state of mind, a call to independence, and a cradle where community ideals and shared experience provide inspiration and sometimes, daily bread.

Text and images are excerpts from Contact Sheet 124, Embracing Eatonville. This and other publications can be purchased from the Light Work store.

DAWOUD BEY, LONNIE GRAHAM,
CARRIE MAE WEEMS, and DEBORAH WILLIS

EMBRACING EATONVILLE

November 3 - December 31, 2003
Contact Sheet 124

Embracing Eatonville is a photographic survey of Eatonville, FL—the oldest black incorporated town in the United States, and a place where celebrated writer Zora Neale Hurston lived and worked. The project is a collaboration among Light Work, the artist's collective A Social Studies Project (ASSP), and the Zora Neale Hurston National Museum of Fine Arts in Eatonville.

Beginning in January 2002 and continuing through the middle of 2003, photographers Dawoud Bey, Lonnie Graham, Carrie Mae Weems and Deborah Willis spent time in Eatonville making photographs in an effort to provide a meaningful reflection of Eatonville's spirit and character, while concentrating on the social, political, and cultural landscape of this historically unique place in Central Florida. In an attempt to address the unique character of the community and its history, these artists have produced a diverse portrait of Eatonville using traditional documentary approaches, as well as interactive and interpretive methods.and viewer, as if each subject is disclosing a secret for the viewer to take in.

Deborah Willis