Immersed in collector Brad Feuerhelms vernacular photo collection, artist Anouk Kruithof moved into a bungalow where she developed a niche relationship with the photos and transformed the image archive. She visualizes scenarios in which images, through the imaginary space of our conception and parallel to digitization, leap across the tooth of time. The personal image relations all but magically approached and released offer new perspectives to relate us, one-to-one with the image, to the present post-digital image economy in which our image memory moves. Furthermore, the technical angles give insight into the way we can process our image memory. The five differently-processed image stories make this book a layered Gesamt-sculpture with a lot to say about the actual status of our image memory. The Bungalow is an image wonderland in which a closed meeting represents the bite of the leap.