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Subscription Program

Light Work offers basic subscriptions to Contact Sheet as well as book and print level subscriptions, in which you can select a book or print to receive along with the publication. Please make your selection based on your preferred subscription level. Your subscription directly supports Light Work’s programs, including our residencies, exhibitions, publications, and more. Thank you!

Contact Sheet 165:
Jen Davis & Amy Elkins

$12

Contact Sheet 165: Jen Davis & Amy Elkins
Paperback: 48 pages
Publisher: Light Work (February, 2012)
ISBN: 0-935445-77-3

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SKU: N/A Categories: Back Issues, Contact Sheet
  • Description
  • Additional information

Description

Featuring the works of Jen Davis and Amy Elkins and published in conjunction with the Light Work exhibition “looking & looking,” Contact Sheet 165 features a unique format which allows the reader to experience the book from two directions. Both artists create work that focuses on gaze and identity, with Davis looking at herself and Elkins looking at young male athletes. The images in the exhibition explore the perception of how men and women are supposed to appear in society–men should be strong and confident, women should be beautiful–and the crafting of a self-image.

Jen Davis creates self-portraits that deal with issues surrounding beauty, identity, and body image of women, and challenges the perceptions and stereotypes of how women should look in their physical appearances. Amy Elkins depicts the more aggressive, competitive, and violent aspects of male identity in her series Elegant Violence, which captures portraits of young Ivy League rugby athletes moments after their game. Elkins’ images explore the balance between athleticism, modes of violence or aggression, and varying degrees of vulnerability within a sport where brutal body contact is fundamental.

Both artists focus on the construction of identity–the players are astutely aware of how they are presenting themselves while Davis draws attention to her own self-image in a more emotional way. Shown together, the works of Davis and Elkins urge the viewer to consider expectations and perceptions (both societal and individual) of identity.

This catalogue includes essays by Hannah Frieser and Shane Lavalette.

—

Amy Elkins received her BFA in Photography from the School of Visual Arts in New York City. Her work has been exhibited both nationally and internationally, including shows at Kunsthalle Wien in Vienna, Austria; The PIP International Photo Festival in Pingyao, China; Gallery Elsa in Busan, South Korea; National Arts Club, Tina Kim Gallery, and Yancey Richardson Gallery in New York, among many others. Amy Elkins and Cara Phillips co-founded wipnyc.org, a platform for showcasing both established and emerging women in photography. Elkins is represented by Yancey Richardson Gallery in New York.

www.amyelkins.com

Jen Davis received her MFA from Yale University, and her BA from Columbia College Chicago. Her work has been exhibited internationally, including at Musee de l’Elysee in Lausanne, Switzerland; Joy Wei Gallery in New York; SI FEST: Savignano Immagini Festival in Italy; Museum of Fine Arts, Boston; Center for Photography at Woodstock; Stephen Daiter Gallery in Chicago, IL; Milwaukee Art Museum; and Galerie Priska Pasquer in Cologne, Germany, among others. Her photographs are in the collections of the Art Institute of Chicago, The Sir Elton John Photography Collection, and The Library of Congress. Davis is represented by Lee Marks Fine Art.

www.jendavisphoto.com

Additional information

Edition

Signed by the artist, Trade Edition

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Contact Sheet 164:
Scott McCarney
Contact Sheet 167:
Light Work Annual 2012
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Let's celebrate! — 50th Anniversary: Selections from the Light Work Collection is on at the Everson Museum of Art through May 14, 2023. Dismiss