A Month of Productivity

Collaborative artists Nate Larson and Marni Shindelman made great use of the artist apartment bulletin board and desks for fleshing out ideas during their July 2012 residency here at Light Work.

About their residency month, Nate had to say:

We loved our time at Light Work – for us, it was an incubator immerse ourselves in new ideas as a collaborative team. We spent our time building a studio in the artist apartment and then researching, reading, debating, discussing, proofing, editing, analyzing, and beginning new projects. We also developed new materials and goals towards our professional development. Our gratitude to the whole Light Work team for making it such a wonderful experience!

And Marni writes:

I spent the first two days at Light Work going through all my files and folders labeled “To Be Read.” While Nate and I were editing our Geolocation images, we also were working on new ideas. The time to think, brainstorm and read was invaluable to our work.

Find more information about Light Work’s Artist-in-Residence Program here.

Become a Member, Get a FREE T-shirt!

Our new Lab Manager Andrew Baugnet wants to offer you a special gift for becoming a member of Light Work/Community Darkrooms this month – a FREE t-shirt!

What does a membership get you?

A Semester Membership includes access to facilities, including the digital lab, black-and-white lab, and studio workspace. Staff assistance by photography professionals is provided, as well as reduced-rate printing and digital services, discounted classes and workshops, and specials for local camera stores, including MQ Camera. Members receive invitations to Light Work receptions and receive the Community Darkrooms Newsletter.

A Year Membership includes everything in the Semester Membership, a free digital subscription to Light Work’s award-winning publication Contact Sheet, plus the ability to use the facilities between Syracuse University semesters.

How do I get a t-shirt?

Just stop into Light Work during the month of August, sign up for a membership in person and pick out a shirt in your size (available in S, M, L and XL). It’s that simple! If you purchase a membership online this month, you can mention it when you come in and get your shirt that way as well.

Note: This offer is only available while supplies last.

A Closer Look: Master Print Editions

Cross Training, 2005
Silver gelatin print, 14 x 12″
Shipped in a 20 x 16″ mat
Edition of 100, signed by the artist
$1,000

William Wegman has gained international recognition for his works in photography, painting, drawing, and video. Since the 1970s, he has created photographic compositions involving dogs, primarily his own Weimaraners, in various costumes and poses. A conceptual humorist, Wegman has been aptly named a “master of whimsy.”

This Master Print Edition purchase includes a subscription to Contact Sheet.

William Wegman print – $1,000

William Wegman print included with 2012 Benefactors Offer – $1,500 (SAVE $540)
(includes prints by William Wegman, Kelli Connell, Tony Gleaton, and Susan Worsham, signed copies of the books Soldier / Many Wars by Suzanne Opton and American Portraits by Leon Borensztein, five printed issues of Contact Sheet, and full subscriber benefits including the digital archive)

Untitled from the Kitchen Table Series, 1990/2010
Silver gelatin print, 9 7/8 x 9 3/4″
Edition of 100, signed by the artist
$1,000

The seminal Kitchen Table Series by Carrie Mae Weems is widely recognized as a masterpiece of performance and story-telling within the photographic image. In this series, Weems uses a subtle vocabulary of props, gesture, and gaze to frame complex questions about identity, gender construction, representation, parenthood, and the nature of human relationships. Weems describes her intention of Kitchen Table Series as a personal view on the world around her, “I endeavored to intertwine themes as I have found them in–racial, sexual, and cultural identity and history–and presented them with overtones of humor and sadness, loss and redemption.” The nonlinear narrative and issues presented in Weems’ Kitchen Table Series remain as topical and thought-provoking today as when the images were first created in the early 1990s. Rendered in exquisite black-and-white, this silver gelatin print is hand-printed by Griffin Editions in New York City.

“This black and white photo comes from Weems’ “Kitchen Table Series” which portrayed Weems in various domestic scenes in which the artist performs various stories, creating a narrative about relationships, family, race, sex and society. The work is evocative, mysterious and dramatic. What more can one hope for in the art we live with?”
— Jim Hedges, The Huffington Post

This Master Print Edition purchase includes a subscription to Contact Sheet.

Carrie Mae Weems print – $1,000 * Very few prints left in stock!

Carrie Mae Weems Social Studies book – $75 (SAVE $30 with print purchase)

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To browse all of our signed prints, click here.

Print & Book by 2012 Guggenheim Fellow Doug DuBois

Syracuse-based photographer and SU professor Doug DuBois was recently awarded a Guggenheim Fellowship in photography. In honor of Doug, we’d like to feature his beautiful limited edition print and signed book, two of the finest items in our online store. The print is available for $275 and the book for $45, or you can order them together for $300.

Doug DuBois has photographed his family for over twenty-five years, following the seasons of happy and sorrowful moments. His book …all the days and nights featuring this and sixty-one other images in the series, is the result of decades-long observation, during which DuBois’ family experienced many joyous occasions and devastating losses.

DuBois’ photographs are in the collection of major museums such as the Museum of Modern Art in New York, NY; SFMOMA in San Francisco, CA; J. Paul Getty Museum in Los Angeles, CA; the Library of Congress in Washington, DC; and the Victoria and Albert Museum in London, England. Exhibition venues include the J. Paul Getty Museum; The Museum of Fine Art in Houston, TX; New Langton Arts in San Francisco, CA; PARCO Gallery in Tokyo, Japan; Voies Off in Arles, France, and more. DuBois has received fellowships from MacDowell Colony, Yaddo, The National Endowment for the Arts, SITE Santa Fe, Light Work, and the John Gutmann Foundation. His work has been published in DoubleTake, New York Times, The Telegraph (London), and Monopol (Berlin), among others.

Purchase a print here.
Purchase …all the days and nights here.
Purchase both the print and the book here.

Support Light Work's Mission

Dear friends,

Throughout the month of June we are attempting to raise a bold $20,000 to support future programming at Light Work. This will only be possible with your help!

A tax-deductible donation to Light Work is a great way to support emerging and under-recognized artists working in photography. As a donor, your contribution will go directly into our programming, which includes our world-renowned residencies, exhibitions, and publications, including Contact Sheet. Donors will receive a receipt for tax purposes.

DONATE TODAY

To support our long-term planning with a gift larger than the options available on our website, please contact Director Hannah Frieser at 315.443.1300.

2012 Light Work Artists-in-Residence

Congratulations to the 2012 Light Work Artists-in-Residence, who were selected from an outstanding pool of hundreds of applicants! Thanks to all who applied.

Light Work is very pleased to host the following artists this year:

Karen Miranda-Rivadeneira
Aspen Mays
Shimon Attie
Justyna Badach
Claire Beckett
Michael Bühler-Rose
Raymond Meeks
Nate Larson & Marni Shindelman
Irina Rozovsky
Heidi Kumao
John Freyer
John Chervinsky
Brijesh Patel

Our renowned residency program features a $4,000 stipend, a free place to stay for the month, 24-hour access to our state-of-the-art facility, and generous staff support. Light Work was founded in 1973 as a non-profit, artist-run organization. We provide direct support to artists working in the media of photography and digital imaging through residencies, publications, exhibitions, a community-access digital lab facility, and other related projects.

We are now accepting AIR applications for 2013. There is no deadline to apply; applications are reviewed throughout the year. For details on our facility and the application instructions, click here.

Summer 2012 Workshops at Light Work

Registration is now open for Summer 2012 Workshops at Light Work/Community Darkrooms.

Firm Foundations

Advanced Photoshop
Basic Studio Lighting
Beginning Photoshop
Landscape Photography
Photographing Weddings and Events
Using Lightroom
Using Your Digital Camera
Working on Projects

Single Session Workshops

Black-and-White Photography 1: The Camera
Black-and-White Photography 2: Developing Film
Black-and-White Photography 3: Printing (Part 1)
Black-and-White Photography 4: Printing (Part 2)
Making Digital Negatives for Alternative and Silver Prints
Making HDR Photographs
Making the Most of Social Media
Scanning
Street Photography
Using Your Camera Flash

Visit www.communitydarkrooms.com for info and to register today!

2012 Light Work Grants in Photography

The 38th Annual Light Work Grants in Photography were recently awarded to three Central New York residents. The selected artists are Dennis Krukowski, Tice Lerner, and Sayler/Morris (the collaborative work of Susannah Sayler and Edward Morris). The Light Work Grants in Photography program is a part of Light Work’s ongoing effort to provide support and encouragement to artists, critics, and historians working in photography.

The Light Work Grant is a fellowship that includes a $2,000 cash award, an exhibition at Light Work, and publication in The Light Work Annual. Applicants were required to submit 10 examples of their work along with a short application form. Three judges from outside the grant area then selected the recipients based on the merits of their work. The judges were Jamie Allen (George Eastman House), Bleu Cease (Rochester Contemporary Art Center), and Sean Donaher (CEPA Gallery).

Light Work is pleased to announce this year’s grant recipients:

Dennis Krukowski, Cicero, Onondaga County

Dennis Krukowski submitted work from a photographic series that captures decorated Christmas trees. He has been photographing the series since the late 1980s, and has created images throughout the United States, Canada, Mexico, Europe, and the Nordic lands. Krukowski also photographs interiors of homes, and those photographs have been published in many books and magazines. Krukowski’s work has been exhibited throughout New York State and is included in private collections.

Tice Lerner, Binghamton, Broome County

Tice Lerner received the Light Work Grant for his series Ever Onward, which chronicles his up-close and personal encounters with the inhabitants of Binghamton, NY. Once a prosperous manufacturing town for defense and the founding city of IBM, the area has long been economically depressed. At the time when Binghamton IBM was in its heyday, large companies were multigenerational employers that were, in Lerner’s words, “more like countries that corporations. “Binghamton IBMers” would show their pride by singing their corporate anthems daily–one of which was called Ever Onward. IBM, like the rest of these large companies, has long left Binghamton, leaving behind chemical spills and economic disparities.

Sayler/Morris, Syracuse, Onondaga County

Sayler/Morris, the collaborative work of Susannah Sayler and Edward Morris, submitted a selection of work from their series A History of the Future. Their images from Peru represent a progression: mountains in the Andes, where much of Peru’s water is stored in glaciers; aqueducts carrying water from the mountains to the desert coast, where most of Peru’s population lives and works; urban sprawl outside of Lima that depends on the water. Scientists predict that the glaciers of the Andes will be completely melted by around 2030. While there is a narrative progression to the images, literally following the path of water, there is also a more basic underlying contrast between two scales of history: geologic history (the trace of glaciers in the striations on the stone, the path of rivers, etc.) and human history (technology, the structure of aqueducts, etc.). Sayler/Morris have been exhibited internationally, and are the co-founders of the non-profit The Canary Project.

The judges for the 2012 Light Work Grants competition were Jamie Allen, Bleu Cease, and Sean Donaher.

Jamie M. Allen is the assistant curator of photographs at George Eastman House, the oldest and largest museum of photography in the United States. Allen has curated or managed numerous exhibitions for Eastman House, including Between the States (2011), 60 from the 60s (2010), Portrait (2010), Roger Mertin’s Rochester (2009) and The Photograph Collection: An Introduction (2008). She holds a BAA in Art History and a BA in Photography from The University of Arizona, Tucson as well as a MA in Photographic Preservation and Collections Management from Ryerson University in Toronto, Ontario.

Bleu Cease currently serves as the executive director/curator of Rochester Contemporary Art Center (RoCo) in Rochester, NY. Since 2007 he has lead RoCo in its significant growth and curated numerous successful exhibitions. Cease is also involved with other art & cultural community building efforts including initiating and administering First Friday, Rochester’s Citywide Gallery night and serving on the board of trustees of the Landmark Society of Western New York. Bleu has worked as a museum professional, educator and curator since 2002. Cease holds a BA from Warren Wilson College in Asheville, NC and an MFA from the Visual Studies Workshop in Rochester, NY

Sean J. Donaher is the executive director & curator of CEPA Gallery in Buffalo, NY. One of the oldest photography galleries in the United States, CEPA is internationally known for programs in visual arts, and photo-based arts education. Donaher has also held the position of Executive Director/Curator of Big Orbit Gallery, Buffalo, NY since 1995. He has sat on a number of boards and panels including both the Arts Education Panel and the Visual Arts Panel at the New York State Council on the Arts, and has taught Graduate Seminar at the Visual Studies Department at the University at Buffalo.

SAVE 10% on Prints, Books and Subscriptions

Light Work is pleased to offer 10% OFF all items in our online store!

Now is the time to treat yourself or a friend to one of our limited-edition prints, signed books, or a Contact Sheet subscription. Simply enter the code SAVE10 upon checkout to activate the promotion. Valid through May 31, 2012.

Take a look around!

Light Work to Dedicate Kathleen O. Ellis Gallery


To honor a longtime supporter of the arts in Syracuse, Light Work will name its main gallery space for Kathleen O. Ellis. The ceremony and celebration will be held on Tuesday, May 29, from 5-7 p.m. Jeffrey Hoone, executive director at Light Work, has worked with Syracuse University over the past few months to set up an endowment fund to support artist projects and exhibitions in the gallery, and in the process will be naming the gallery for his mother.

The naming of the Kathleen O. Ellis Gallery at Light Work will serve as a way to honor Ellis and preserve her legacy as a longtime supporter of the arts in Syracuse, and especially at Light Work. Since Hoone moved into a directorial role at Light Work in 1980, Ellis has supported him and the organization, where her attendance at openings and events is legendary. She has taken a personal interest in many artists at Light Work, and has invited several into her home for holidays and special events.

The dedication ceremony and event will feature a statement by SU Chancellor Nancy Cantor, who has championed the arts at SU. “This is such a fitting tribute to Kay Ellis, one of Light Work’s most dedicated and strongest supporters,” says Cantor. “Both professionally and personally, she has devoted herself to cultivating the arts in Central New York through her work across the public, private and nonprofit sectors. In a sense, Kay personifies Syracuse’s characteristically passionate, enduring embrace of the arts and their critical and evolving role in our community’s cultural and economic vitality. We’re proud to call Kay one of SU’s own, and profoundly grateful to her and all of those who have supported dedicating this gallery to her.”

During Hoone’s tenure in a directorial role at Light Work, the organization has seen significant advancements in programming, substantial growth in size from two to eight full-time staff members and a multi-million-dollar renovation of the facility. He embarked on the creation of this endowment fund as a way to pay tribute to his mother and make a lasting mark on Light Work by supporting its growth into the future.

Ellis attended SU, and as a member of the class of 1955, she majored in journalism and marketing. She is retired from the staff of Sen. John A. DeFrancisco of the New York State Senate. She formerly worked in the New York State Assembly and as a reporter and feature writer for the Syracuse Post-Standard for seven years in the 1970s. Now a volunteer in several organizations, Ellis is active in the CNY Irish American Cultural Institute, the Central New York Irish Cultural Society, the Syracuse St. Patrick’s Parade, the Syracuse Irish Festival and the CNY Kidney Foundation. Ellis has a keen interest in all of the art galleries at Syracuse University and a love of Syracuse Stage and the SU drama department, and the Everson Museum of Art.

The dedication event is free and open to the public. Parking is available in Marion Lot. For more information, contact Jessica Reed at Light Work, 315-443-1300 or jhreed01@syr.edu

2012 CNY Scholastic Art Awards


Image by Peter Cihon of Skaneateles High School in Skaneateles, NY

Light Work would like to congratulate Peter Cihon of Skaneateles High School in Skaneateles, NY as the winner of the Light Work Award for Best Photography Portfolio in this year’s CNY Scholastic Art Awards.

About his work, Peter writes:

My two trips to Spain, to study Spanish language and culture, have inspired my portfolio. While university classes were informative, my ineractions with the Spanish people—through the lens or in everyday life—were truly inspirational. While photo-journalistic style is meant to capitvate the view, it should also teach him or her something about Spanish culture.

See the full list of Award Winners here.

Light Work Seeks Lab Manager and Customer Service Assistant

Light Work is currently seeking a Full-time Lab Manager and a Part-time Customer Service Assistant.

For information about the positons and how to apply:

FULL-TIME LAB MANAGER

Light Work, a nationally recognized, artist-run photography and digital imaging center at Syracuse University, seeks qualified candidates for the position of Light Work/Community Darkrooms Lab Manager.

The Lab Manager will be responsible for overseeing the operations of Light Work’s public-access photography and digital imaging lab facility, Community Darkrooms, its business plan, budget, payroll, and customer service needs. He or she will provide direct support to Community Darkrooms members and visiting artists and will be responsible for all financial reporting, point-of-sale reconciliation, and other darkrooms-related business. He or she will supervise several staff members and at least a dozen student workers. The Lab Manager develops a schedule for photography classes and programs, recruits instructors, and manages them. Other responsibilities include equipment and building management, invoicing customers, and purchasing equipment and supplies.

The successful candidate will be an individual who understands and champions the organization’s commitment to supporting emerging and under-recognized artists. He/she will possess demonstrated managerial skills and experience in all key areas, especially budget management. The position requires the ability to work as part of a team and the proven ability to take initiative. The successful candidate will be a creative and efficient problem solver.

A working knowledge of photographic practices and techniques, including digital imaging, is a must. The successful candidate must possess this knowledge in order to effectively advise Artists-in-Residence, as well as support the darkroom staff. As an artist-run organization, priority consideration will be given to a working artist.

The Lab Manager must be able to assess current business practices and develop, plan, and execute programming to achieve Community Darkrooms’ objectives. As part of budget management, the Lab Manager will recommend expenditures, maintain budget records, and submit monthly financial reports.

We are seeking highly qualified candidates who possess the above skills and qualifications, and we strongly encourage applications from individuals of diverse cultural backgrounds. BFA or equivalent experience with solid background in photography required. Candidates must have a minimum of three years managerial and budget experience. Salary will be commensurate with candidate’s experience, and includes full health and pension benefits through Syracuse University.

This position will remain open until filled. However, priority will be given to applications received before June 8, 2012. In order to apply, visit www.sujobopps.com (view exempt salaried opportunities).

PART-TIME CUSTOMER SERVICE ASSISTANT

Light Work, a nationally recognized, artist-run photography and digital imaging center at Syracuse University, seeks qualified candidates for the part-time position of Customer Service Assistant.

The Customer Service Assistant supports the Light Work/Community Darkrooms Lab Manager through front desk coverage, providing reliable customer service, technical advice, and direct customer engagement for the public-access photo imaging center.

Major responsibilities of the job include:

* Point of Sales entry and other business transactions
* Front desk customer service
* Answering the phones for Light Work/Community Darkrooms
* Invoicing customers
* General support of the Lab Manager

Desired education, degree level:
Minimum four-year retail experience. Background in photography a plus.

This position will remain open until filled. To submit your application, please contact Community Darkrooms at 315.443.2450.