Lola Flash plans to use her residency to refine scans and prints of her series [sur]passing. She also foresees shooting images towards two new bodies of work, entitled epicene and quartet. All three series reflect Flash’s ongoing obsession with boundaries and the physical and ideological areas that exist concerning those boundaries. Begun in 2002, [sur]passing examines how skin color impacts black identity both in real life and in front of the camera. With the portraits in epicene, Flash depicts a mosaic of subjects who have challenged societal confines, including those of race, class, and gender. Photographed in various cities in the United States and abroad, quartet looks at the interstitial places that comprise these cities and define the lives of their inhabitants.
Flash was born in the United States and is of African and Native American heritage. She spent ten years in London, where she regularly exhibited her work and also attained her MA. A classic Flash photograph, Stay Afloat, Use a Rubber, is part of London’s Victoria and Albert Museum collection. She is now based in New York where she continues to teach and create.